《“收租院”雕塑影像原始原作》
28张画廊出售价:30.06万



  当代中国雕塑史重要作品“收租院”雕塑影像原始原作共28张,26张的尺寸为5cm×3.7cm,1张尺寸为7.8cm×5.2cm,另1张为7.6cm×4.7cm。
  中国现代雕塑史上最为重要的作品“收租院”,创作于1965年6月,完成于同年10月,作品陈列于四川省大邑县地主庄园。作者是当时四川美术学院雕塑系教师赵树桐、王官乙,学生李绍瑞、龙绪理、廖德虎、张绍熙、范德高及校外雕塑工作者李奇生、张富纶、任义伯、唐顺安和民间艺人姜全贵。四川美术学院雕塑系教师伍明万、龙德辉带领一年级学生隆太成、黄守江、李美述、马赫土格(彝族)、洛加泽仁(藏族)参加了后期的创作及大邑县地主庄园陈列馆的创作人员和部分四川当地的泥塑匠人。
  1965年9月13日,全国美协负责人华君武、王朝武等带着记者来到地主庄园,观看作品后非常吃惊并大加赞赏,称“收租院”是美术界的一颗原子弹,决定“收租院”在北京展览。当年国庆,“收租院”如期举行预展,三天来了两万人。12月24日,40个真人大小的复制泥塑和部分大型照片组成的“收租院”,在北京展览正式开幕,观众如潮,国内一线媒体争相报道。北京展览于第二年3月6日结束,接待观众47万余人。
  “收租院”在四川和北京展览后,反响强烈,后又复制了作品在阿尔巴尼亚、越南等国展出。1988年,用新型玻璃钢材料复制后,在日本各地巡展。1999年,由蔡国强出资、策划邀请部分原作者再次创作“威尼斯收租院”荣获大奖。
  这28张拍摄于1965年6月至10月的原始影像,是关于“收租院”创作早期的珍贵影像,这些影像都是早期创作雕塑作品时的影像,影像记录了不少雕塑作品并没有成为最后的雕塑成品,反映了创作者创作“收租院”的变化和提炼过程,这套珍贵影像为学术界研究“收租院”的创作过程提供了直接的实证,同时这套影像本身也是影像艺术珍品。
  赠送:1970年由重庆市美术公司革命委员会发行《收租院》阶级教育摄影图片完整一套,共23张,尺寸为6×8in,及原始图片文字解释和前言等完整内容。
    这套28张的原作和1970年出版的23张图片,共51张,可以构成一个中型《收租院》艺术影像回顾展。

 
《“Rent Collection Courtyard” Original Works of Sculpture Images》
 28 Pieces Offer Price: RMB300,600


  There are total 28 pieces of the most significant works named “Rent Collection Courtyard” in China modern sculpture history. The size: 26 pieces: 5cm×3.7cm; 1 piece: 7.8cm×5.2cm; 1 piece: 7.6cm×4.7cm.
  The most important works named “Rent Collection Courtyard” in China modern sculpture history created in June, 1965, and completed in Oct. These works were displayed in the lord manor in Dayi County of Sichuan Province. The authors including the teachers from the sculpture department of Sichuan Fine Arts Institute Zhao Shutong, Wang Guanyi, students Li Shaorui, Long Xuli, Liao Dehu, Zhang Shaoxi, Fan Degao and the sculpture workers outside school Li Qisheng, Zhang Fulun, Ren Yibo, Tang Shunan and folk artisan Jiang Quangui. The teachers Wu Mingwan, Long Dehui, from the sculpture department of Sichuan Fine Arts Institute, took part in the later creation together with the freshmen Long Taicheng, Huang Shoujiang, Li Meishu, Mach Tuge(Yi nationality), Loga Zayein(Tibetan), the creators of the exhibition hall in lord manor of Dayi County and some local clay sculpture craftsmen of Sichuan. 
  On the 13th Sep. 1965, Hua Junwu, Wang Chaowu, the persons in charge of Artistis Association, took the journalists to the lord manor. They were surprised, appreciated after viewing these works, and called the “Rent Collection Courtyard” just like an atomic bomb in Arts Circle, and determined to exhibit them in Beijing. On National Day of that year, the “Rent Collection Courtyard” preview exhibition was held on time which attracted about twenty thousands of people coming. On 24th Dec. the exhibition of “Rent Collection Courtyard”, composed of consistforty life-size copy clay sculpture and some large-scale photos, formally open. Lots of persons came to have a look, and many domestic medias reported. It ended on 6th March of the next year, and totally attracted 470,000 persons.
  After the exhibition in Sichuan and Beijing, it got positive response. Then they copied the works to exhibit in Albania, Vietnam and some other countries. In 1988, copied with new type of glass fiber reinforced plastic material, the itinerant exhibition in Japan was held. In 1999, funded by Cai Guoqiang, planned by some original authors, the “Venice Rent Collection Courtyard” won a grand award. 
  The 28 pieces of original images taken from June to October in 1965 are the precious ones about the early creation of “Rent Collection Courtyard”. It recorded many sculptures which didn’t became the final ones, and reflected the process of changes when the creator created the “Rent Collection Courtyard”. This set of rare images provide the real evidence for the academe researching the creation process of “Rent Collection Courtyard”, at the same time, itself was also art treasure.  
  Presentation: A set of “Rent Collection Courtyard” class education photography pictures published by Chongqing art firm revolutionary committee, totally 23 pieces, size: 6×8in, original pictures, notes and introduction and so on. 

 


  总访问量: